Interview with Kenn Colt

Belgian DJ and producer Kenn Colt continues to build momentum in 2026 with a string of groove-driven house releases. Following the collaborative single Never Enough with Future Identity on PYRO Records, he recently returned to his own label Feels Like Home Records with Millionaire, a deeper and more atmospheric club cut inspired by life changes, personal ambition and a move to Thailand.

Known for blending afro house, tech house and melodic elements, Kenn Colt has built a reputation for energetic DJ sets and emotionally driven productions that translate real-life experiences into music.

In this interview, he talks about the subtle details that bring his tracks to life, why authentic energy matters behind the decks, the emotional moments that shaped his career and the unexpected story behind Millionaire.

What’s a sound you’re currently obsessed with that hasn’t made it into your productions yet?

Right now in 2026, I'm deep into these layered tech house, Latin house and Afro percussion elements—think subtle shakers and talking drums blended with modern synth stabs. I've been experimenting in the studio during my stay in Valencia, inspired by recent trips to places like Nairobi and Thailand. It's got this organic, hypnotic groove that builds tension without overpowering the melody. Haven't dropped it in a full track yet, saving it for something special on Feels Like Home that feels even more global and emotional

What’s the smallest detail in a track that listeners rarely notice but matters most to you?

For me, it's always the emotional "breath" in the arrangement—the tiny gaps, reverbs, or micro-delays that let the feeling breathe. Like a faint vocal echo or a subtle sidechain on a hi-hat that mimics a heartbeat. People feel it on a subconscious level, makes the track feel alive and personal. Without that authentic feel from my own life experiences, the track doesn't make it out. Interview with Kenn Colt

Have you ever played a set where your mood completely changed because of the crowd?

Yes—my return to Tomorrowland's festival 10 years in a row. I'd been grinding through tough personal chapters, flying between Valencia and Belgium, but stepping up and seeing so many people losing themselves in the music, smiling, connecting... it flipped everything. From focused nerves to pure euphoria and gratitude. That energy exchange reminded me why I started to spread joy and process life through sound. The crowd healed me that night.

What kind of energy do you refuse to bring on stage, no matter how big the show?

Negative or forced energy—full stop. I won't fake it. My sets are about boundless positivity, infectious joy, and real connection. If I'm not genuinely feeling the vibe (or to do it for the money for example) I channel it into authenticity instead of negativity. Crowds sense inauthenticity instantly; it kills the magic. I bring heart every time, even on hard days, because music is my way of therapy.

You’ve lived through vinyl, CDJs, and digital — what do you think DJs today rely on too much?

Sync and pre-planned everything. I started on vinyl—manual beatmatching, feeling the groove by ear—and loved the raw skill of reading the room live. Today's tech is amazing (I use it!), but too many rely on auto-sync and locked sets, missing that intuitive crowd adaptation. With the upcoming of AI in all spectrums of the scene, Nothing beats hands-on feel and spontaneity—that's where the real magic and connection happen.

What’s the hardest decision you’ve made that helped your career but hurt emotionally?

Pushing forward after losing my partner Dominique Lousberg in that tragic car accident back in 2017. She was my world—full of life, modeling, dancing, everything. The pain was unimaginable, but I chose to channel it into music, like our emotional tribute "Come Back To Me" with Nari & Milani on NEWS rec. It launched me deeper into my artistry, helped build Feels Like Home, and turned grief into healing for others. It hurt like hell emotionally, but it strengthened my passion and career in ways I never expected.

What emotion were you chasing when you first started working on “Millionaire”?

That mix of aspiration, hustle, and relatable frustration—the feeling of dreaming big while grinding through real life. My girlfriend and I are saving every cent, cutting back, imagining freedom without limits. "Millionaire" captures that inner billionaire mindset: living rich in your head even when reality's tough. It's hopeful, motivational, and fun—turning everyday dreams into an infectious anthem that makes people feel empowered on the dancefloor.

Where do you imagine “Millionaire” being played for the first time in someone’s life?

In a private, reflective moment—maybe late-night headphones in bed, scrolling dreams on your phone, or a solo drive staring at the stars. When the lyrics hit: "In my mind, I've been living like a millionaire." It's that spark of manifestation before it blows up at a party or festival. Personal first, then shared joy—turning individual ambition into collective energy.

Tell us the story about how an elephant had a big impact on this release?

Haha, it's a fun inside story from late-night chats with my girlfriend in bed. We were joking about she wanted to have a elephant when we move to Thailand, while I said, once we become millionaires, you will get a elephant, and her response was, well make a track, go viral, and it’s elephant time. But deeper, it ties to the hustle—my girlfriend and I are dreaming big while saving for freedom. "Millionaire" became that relatable anthem blending dance pop vibes with Tech House grooves. Life's more than filtered perfection; it's that inner richness. The elephant's still "pending" (maybe one day!), but the track's out, connecting people worldwide.

If tomorrow you couldn’t DJ anymore, what part of the process would you miss the most?

The live energy exchange with the crowd—hands down. That moment when I see those smiling faces from playing certain tracks, bodies move as one, everyone forgets their worries.. it's irreplaceable therapy for everyone, including me. Producing is my personal diary, processing life through sound, but performing is where emotion becomes shared magic, transcending everything. I'd pour more into Feels Like Home, mentoring artists and releasing heartfelt music in the upcoming months though.

Kenn Colt kenncolt.com | @kenncolt everywhere